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Examples from texts

No matter where you are in America or the rest of the world, chances are that a cool jazz festival is a short plane, train, or automobile ride away.
Où que vous habitiez, il y a un festival de jazz près de chez vous, à portée de train, d'avion ou de voiture.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
When an electric jazz guitarist strums a chord, it sustains for several seconds, filling the space behind a melody or solo.
Quand un guitariste de jazz gratte une corde, la note produite dure plusieurs secondes, et peut ainsi servir d'accompagnement à une mélodie ou un solo.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Part IV acknowledges the fact that there are legions of you out there who want to play jazz, but you're afraid or don't know where to start.
Dans la quatrième partie, je m'adresserai à ceux d'entre vous qui souhaitent apprendre à jouer du jazz, mais qui ont peur de sauter le pas ou ne savent comment commencer.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Formed by trumpeter Paul Mares, trombonist George Brunies, and clarinetist Leon Roppolo, the group made the first integrated jazz recording (featuring Jelly Roll Morton) in 1923.
Fondé par le trompettiste Paul Mares, le tromboniste George Brunies et le clarinettiste Léon Roppolo, on lui doit en 1923 les premiers enregistrements de jazz à rassembler musiciens noirs et blancs (auxquels Jelly Roll Morton participa).
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Part II traces the story of jazz from Africa to popular jazz meccas like New Orleans, Chicago, Kansas City, New York, California, and other stops along the way.
La deuxième partie retrace l'histoire du jazz depuis l'Afrique jusqu'aux capitales américaines de cette musique: La Nouvelle-Orléans, Chicago, Kansas City, New York.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Roy Eldridge: Playing an essential part in the history of jazz trumpet, Eldridge emerged as a leading swing era trumpeter with his own groups and in bands led by Gene Krupa and Artie Shaw.
Roy Eldridge: Il joua un rôle clé dans l'histoire de la trompette de jazz. Trompettiste star de l'ère du swing, il joua aussi bien avec ses propres groupes que dans les orchestres de Gene Krupa et d'Artie Shaw.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Solal's music was inspired by great jazz pianists such as Erroll Garner, Thelonious Monk, Oscar Peterson, Bud Powell, Art Tatum, and Lennie Tristano.
La musique de Solal rappelle celle de grands pianistes de jazz, notamment Errol Garner, Thelonious Monk, Oscar Peterson, Bud Powell, Art Tatum et Lennie Tristano.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Make friends with loveable characters like Louis Armstrong and Miles Davis, who lead you into jazz as you get to know their personalities and recordings.
Vous ferez la connaissance de musiciens attachants, comme Louis Armstrong et Miles Davis, qui vous accompagneront dans la découverte du jazz. Peu à peu, vous apprendrez à les connaître et vous découvrirez leur musique.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Beginning in the 1960s, jazz broke free from earlier conventions.
À partir des années soixante, le jazz s'amusa à briser toutes les conventions.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
His jazz symphony and two-hour masterwork, "Epitaph," with its ironic title and five-hundred-page score, was never performed in his lifetime.
Sa symphonie de jazz Epitaph, chef-d'œuvre de deux heures au titre ironique et près de cinq cents pages de partition, ne fut jamais interprétée de son vivant.
Mingus, Sue / Tonight at noonMingus, Sue / Pour l'amour de Mingus
Pour l'amour de Mingus
Mingus, Sue
© 2003 Editions du Layeur
Tonight at noon
Mingus, Sue
© 2002 by Sue Graham Mingus
Today's best jazz vocalists are both inventive interpreters of great lyrics and melodies, and muscular improvisers.
Aujourd'hui, les chanteurs de jazz doivent être experts dans l'art de l'interprétation comme dans celui de l'improvisation.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Jazz societies: Many cities have societies or groups devoted to traditional jazz. These groups are great places to find out about local bands seeking musicians.
Dans une maison des associations: Vous trouverez peut-être dans votre ville une association d'amis du jazz, et parmi eux, des partenaires avec qui jouer.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
(Chapter 5 includes more details about the creation of jazz.)
(Le chapitre 6 contient davantage de détails sur la naissance du jazz.)
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Many blues and jazz singers from Jimmy Rushing to Ella Fitzgerald often stretch words so that their endings fall on two and four, adding to the syncopated swing.
De nombreux bluesmen et jazzmen, de Jimmy Rushing à Ella Fitzgerald, allongent certains mots des paroles pour qu'ils finissent sur le deuxième ou le quatrième temps, ce qui rajoute encore à la syncope sur laquelle repose le swing.
Sutro, Dirk / Jazz For DummiesSutro, Dirk,Koechlin, Stéphane / Le Jazz pour les nuls
Le Jazz pour les nuls
Sutro, Dirk,Koechlin, Stéphane
© Edition First, 2008. Publié en accord avec Wiley Publishing, Inc.
Jazz For Dummies
Sutro, Dirk
© 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Up to 45 selected students receive five days of instruction by conductors plus workshops by touring jazz musicians, culminating with a performance on the final day of the Saskatchewan Jazz Festival.
Jusqu'à 45 élèves sélectionnés suivent une formation de cinq jours avec des chefs d'orchestre et un atelier avec des musiciens de jazz en tournée, le tout se terminant par un spectacle le dernier jour du festival de jazz de la Saskatchewan.
© TD

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Collocations

jazz band
groupe de jazz

Word forms

jazz

noun
SingularPlural
Common casejazzjazzes
Possessive casejazz'sjazzes'

jazz

verb
Basic forms
Pastjazzed
Imperativejazz
Present Participle (Participle I)jazzing
Past Participle (Participle II)jazzed
Present Indefinite, Active Voice
I jazzwe jazz
you jazzyou jazz
he/she/it jazzesthey jazz
Present Continuous, Active Voice
I am jazzingwe are jazzing
you are jazzingyou are jazzing
he/she/it is jazzingthey are jazzing
Present Perfect, Active Voice
I have jazzedwe have jazzed
you have jazzedyou have jazzed
he/she/it has jazzedthey have jazzed
Present Perfect Continuous, Active Voice
I have been jazzingwe have been jazzing
you have been jazzingyou have been jazzing
he/she/it has been jazzingthey have been jazzing
Past Indefinite, Active Voice
I jazzedwe jazzed
you jazzedyou jazzed
he/she/it jazzedthey jazzed
Past Continuous, Active Voice
I was jazzingwe were jazzing
you were jazzingyou were jazzing
he/she/it was jazzingthey were jazzing
Past Perfect, Active Voice
I had jazzedwe had jazzed
you had jazzedyou had jazzed
he/she/it had jazzedthey had jazzed
Past Perfect Continuous, Active Voice
I had been jazzingwe had been jazzing
you had been jazzingyou had been jazzing
he/she/it had been jazzingthey had been jazzing
Future Indefinite, Active Voice
I shall/will jazzwe shall/will jazz
you will jazzyou will jazz
he/she/it will jazzthey will jazz
Future Continuous, Active Voice
I shall/will be jazzingwe shall/will be jazzing
you will be jazzingyou will be jazzing
he/she/it will be jazzingthey will be jazzing
Future Perfect, Active Voice
I shall/will have jazzedwe shall/will have jazzed
you will have jazzedyou will have jazzed
he/she/it will have jazzedthey will have jazzed
Future Perfect Continuous, Active Voice
I shall/will have been jazzingwe shall/will have been jazzing
you will have been jazzingyou will have been jazzing
he/she/it will have been jazzingthey will have been jazzing
Future in the Past Indefinite, Active Voice
I should/would jazzwe should/would jazz
you would jazzyou would jazz
he/she/it would jazzthey would jazz
Future in the Past Continuous, Active Voice
I should/would be jazzingwe should/would be jazzing
you would be jazzingyou would be jazzing
he/she/it would be jazzingthey would be jazzing
Future in the Past Perfect, Active Voice
I should/would have jazzedwe should/would have jazzed
you would have jazzedyou would have jazzed
he/she/it would have jazzedthey would have jazzed
Future in the Past Perfect Continuous, Active Voice
I should/would have been jazzingwe should/would have been jazzing
you would have been jazzingyou would have been jazzing
he/she/it would have been jazzingthey would have been jazzing
Present Indefinite, Passive Voice
I am jazzedwe are jazzed
you are jazzedyou are jazzed
he/she/it is jazzedthey are jazzed
Present Continuous, Passive Voice
I am being jazzedwe are being jazzed
you are being jazzedyou are being jazzed
he/she/it is being jazzedthey are being jazzed
Present Perfect, Passive Voice
I have been jazzedwe have been jazzed
you have been jazzedyou have been jazzed
he/she/it has been jazzedthey have been jazzed
Past Indefinite, Passive Voice
I was jazzedwe were jazzed
you were jazzedyou were jazzed
he/she/it was jazzedthey were jazzed
Past Continuous, Passive Voice
I was being jazzedwe were being jazzed
you were being jazzedyou were being jazzed
he/she/it was being jazzedthey were being jazzed
Past Perfect, Passive Voice
I had been jazzedwe had been jazzed
you had been jazzedyou had been jazzed
he/she/it had been jazzedthey had been jazzed
Future Indefinite, Passive Voice
I shall/will be jazzedwe shall/will be jazzed
you will be jazzedyou will be jazzed
he/she/it will be jazzedthey will be jazzed
Future Perfect, Passive Voice
I shall/will have been jazzedwe shall/will have been jazzed
you will have been jazzedyou will have been jazzed
he/she/it will have been jazzedthey will have been jazzed